Top tracks — play these first
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Three-Four vs. Six-Eight Four-Four Ways — This opening track brilliantly showcases the complex rhythmic interplay between Roach and Hasaan, establishing the album's adventurous spirit right from the start.
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Pay Not Play Not — The extended format of this piece allows both artists to delve deeply into improvisation, highlighting their chemistry and pushing the boundaries of traditional jazz structures.
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Almost Like Me — This track features poignant melodic lines intertwined with intricate rhythms, showcasing Hasaan's emotional depth alongside Roach's dynamic drumming.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalThe album showcases intricate compositions and improvisation, highlighting the distinct styles of Roach and Hasaan.
What we noticed
- Each track is built around extended improvisation, allowing the musicians to explore themes rather than adhering strictly to traditional song structures.
- The piano often takes a lead role, with Hasaan Ibn Ali's unique style providing a contrasting texture to Roach's drumming and the bass lines.
- Composition 25% of the score
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8/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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7/10
- Distinctiveness 18% of the score
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9/10
- Sequencing 12% of the score
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6/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- intricate rhythmic explorations
- melodic improvisation highlights
- thoughtful late-night listening
- engaging cerebral focus required
Maybe skip if you
- seeking straightforward melodies
- prefer predictable song structures
Where this album fits
- Career context
- By 1965, Max Roach was already a prominent figure in jazz, celebrated for his innovative drumming and compositional skills. This album marks a pivotal collaboration with Hasaan Ibn Ali, an under-recognized genius whose unique piano style adds depth to Roach's established sound. Released during a period of artistic exploration for Roach, this album represents a significant moment as he sought to broaden the boundaries of jazz.
- Stylistic neighbors
- Art Blakey· Elvin Jones· Tony Williams
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Three-Four vs. Six-Eight Four-Four Ways 5:44
- 2 Off My Back Jack 5:17
- 3 Hope So Elmo 3:55
- 4 Almost Like Me 6:42
- 5 Din-Ka Street 6:13
- 6 Pay Not Play Not 8:10
- 7 To Inscribe 5:00
Reference: Wikipedia · MusicBrainz · Wikidata
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