The Max Roach Trio featuring the Legendary Hasaan cover

The Max Roach Trio featuring the Legendary Hasaan

Max Roach · 1965

41 min · 7 tracks · jazz

A vibrant collision of intricate rhythms and soulful melodies that showcases the virtuosity of jazz legends in a rich, exploratory setting.

Top tracks — play these first

  • →
    Three-Four vs. Six-Eight Four-Four Ways — This opening track brilliantly showcases the complex rhythmic interplay between Roach and Hasaan, establishing the album's adventurous spirit right from the start.
  • →
    Pay Not Play Not — The extended format of this piece allows both artists to delve deeply into improvisation, highlighting their chemistry and pushing the boundaries of traditional jazz structures.
  • →
    Almost Like Me — This track features poignant melodic lines intertwined with intricate rhythms, showcasing Hasaan's emotional depth alongside Roach's dynamic drumming.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

Instrumental
73 /100
Alpine
Higher than 96% of albums we've rated

The album showcases intricate compositions and improvisation, highlighting the distinct styles of Roach and Hasaan.

What we noticed

  • Each track is built around extended improvisation, allowing the musicians to explore themes rather than adhering strictly to traditional song structures.
  • The piano often takes a lead role, with Hasaan Ibn Ali's unique style providing a contrasting texture to Roach's drumming and the bass lines.
Composition 25% of the score
8/10

the writing — melody, harmony, structure, lyrics

Craft 20% of the score
8/10

production, performance, arrangement

Durability 25% of the score
7/10

whether it rewards returning to it

Distinctiveness 18% of the score
9/10

whether it sounds like itself

Sequencing 12% of the score
6/10

running order, pacing, length

Influence 3/10

Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

  • intricate rhythmic explorations
  • melodic improvisation highlights
  • thoughtful late-night listening
  • engaging cerebral focus required

Maybe skip if you

  • seeking straightforward melodies
  • prefer predictable song structures

Where this album fits

Career context
By 1965, Max Roach was already a prominent figure in jazz, celebrated for his innovative drumming and compositional skills. This album marks a pivotal collaboration with Hasaan Ibn Ali, an under-recognized genius whose unique piano style adds depth to Roach's established sound. Released during a period of artistic exploration for Roach, this album represents a significant moment as he sought to broaden the boundaries of jazz.
Stylistic neighbors
Art Blakey· Elvin Jones· Tony Williams

Tracklist

Best experienced from track one — press play and let it unfold.

  • 1 Three-Four vs. Six-Eight Four-Four Ways 5:44
  • 2 Off My Back Jack 5:17
  • 3 Hope So Elmo 3:55
  • 4 Almost Like Me 6:42
  • 5 Din-Ka Street 6:13
  • 6 Pay Not Play Not 8:10
  • 7 To Inscribe 5:00

Reference: Wikipedia · MusicBrainz · Wikidata