The Nearer the Bone, the Sweeter the Meat cover

The Nearer the Bone, the Sweeter the Meat

Peter Brötzmann · 1979

43 min · 4 tracks · jazz

A raw and visceral exploration of free jazz, merging chaotic improvisation with moments of unexpected lyrical beauty.

Top tracks — play these first

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    Long Time Service — Opening with a relentless energy, this track encapsulates Brötzmann's approach to spontaneous composition, showcasing intricate interplay among the musicians.
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    The Nearer the Bone, the Sweeter the Meat — The title track exemplifies the album's thematic depth, weaving complex structures with moments of profound silence that highlight emotional intensity.
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    Kucken und drücken — This piece showcases Brötzmann's signature aggressive saxophone style while integrating unconventional sounds that challenge listener expectations.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

Instrumental
61 /100
Treeline
Higher than 71% of albums we've rated

The album's raw improvisation and unique sound mark it as a significant entry in free jazz.

What we noticed

  • The album consists of four tracks, each exceeding ten minutes, allowing for extended improvisational passages.
Composition 25% of the score
8/10

the writing — melody, harmony, structure, lyrics

Craft 20% of the score
7/10

production, performance, arrangement

Durability 25% of the score
6/10

whether it rewards returning to it

Distinctiveness 18% of the score
8/10

whether it sounds like itself

Sequencing 12% of the score
5/10

running order, pacing, length

Influence 6/10

Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Tracklist

Best experienced from track one — press play and let it unfold.

  • 1 Long Time Service 9:55
  • 2 Kucken und drücken 13:09
  • 3 The Nearer the Bone, the Sweeter the Meat 15:38
  • 4 Schnell im Biss 5:17

Reference: Wikipedia · MusicBrainz · Wikidata