The Pleasure Principle
Janet Jackson · 1987
23 min · 4 tracks · contemporary R&B
Futuristic synths and pulsing beats propel Janet Jackson's confident exploration of desire and self-empowerment.
Top tracks — play these first
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The Pleasure Principle (long vocal) (The Shep Pettibone mix) — This extended mix captures the essence of Jackson's confident vocal delivery while emphasizing the track's danceable rhythm, making it a quintessential example of her style.
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The Pleasure Principle (a cappella) (The Shep Pettibone mix) — Stripped down to its vocals, this version showcases Janet's powerful voice and ability to convey emotion without instrumentation, emphasizing her artistry.
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The Pleasure Principle (12" dub) (The Shep Pettibone mix) — This dub version highlights the track's intricate production elements, providing a club-ready vibe that reflects the era's dance culture and Jackson's adaptability.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The single showcases strong production and varied mixes, but its appeal may be limited to fans of the genre.
What we noticed
- The first track features a long vocal mix that emphasizes Janet's vocal delivery over a backdrop of synths and beats.
- The third track is a dub mix that alters the original's structure, focusing on rhythm and sound effects rather than melody.
- The final track is a shorter vocal mix, providing a more radio-friendly version of the song.
- Composition 25% of the score
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6/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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5/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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7/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Where this album fits
- In the catalog
- Breakthrough — This single solidified her status post-'Control', enhancing her recognition.
- Themes
- dance floor empowerment· futuristic synth landscapes
- Career context
- Released on May 12, 1987, 'The Pleasure Principle' came during Janet Jackson's transformative phase following the success of her breakthrough album 'Control'. This single solidified her status as a leading figure in contemporary R&B and pop music, showcasing her artistic independence and vocal prowess.
Moments worth listening for
Where the writing does something specific.
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The Pleasure Principle (long vocal) (The Shep Pettibone mix)
A pivotal moment occurs when the narrative shifts from introspection to an empowered declaration about embracing desires unapologetically.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 The Pleasure Principle (long vocal) (The Shep Pettibone mix) 7:23
- 2 The Pleasure Principle (a cappella) (The Shep Pettibone mix) 4:23
- 3 The Pleasure Principle (12" dub) (The Shep Pettibone mix) 6:58
- 4 The Pleasure Principle (7" vocal) (The Shep Pettibone mix) 4:19
If this landed
Records by other artists that run on the same instinct.
1999
Prince
Shares a similar blend of synth-driven funk and themes of desire and empowerment.
True Blue
Madonna
Both explore self-empowerment with catchy hooks and a polished 80s synth-pop aesthetic.
I Feel for You
Chaka Khan
Features a vibrant mix of danceable beats and empowering lyrics, aligned with the same era's sound.
Reference: Wikipedia · MusicBrainz · Wikidata
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