The Raid: Redemption (Original Motion Picture Score & Soundtrack) cover

The Raid: Redemption (Original Motion Picture Score & Soundtrack)

Mike Shinoda · 2012

75 min · 26 tracks · alternative rock

An intense blend of electronic and orchestral elements that amplifies the visceral experience of action and tension throughout the film.

Top tracks — play these first

  • →
    Gear Up Start here — This track features pulsating rhythms and driving beats that create a sense of urgency, perfectly setting the tone for the film's high-stakes moments.
  • →
    One Way Out — With its escalating tension and climactic build-up, this piece embodies the feeling of desperation and conflict faced by the characters during pivotal scenes.
  • →
    Putting a Mad Dog Down — The lengthy composition showcases Shinoda's ability to maintain suspense through dynamic shifts, reflecting the chaotic energy of the film's climax.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

Instrumental
48 /100
Foothills
Higher than 19% of albums we've rated

The score effectively combines orchestral and electronic elements but remains primarily functional for the film's context.

What we noticed

  • Tracks vary significantly in length, with several pieces under two minutes that serve as brief interludes between longer compositions.
  • Many tracks build gradually, layering instruments and motifs to heighten intensity before resolving into quieter moments.
  • The final track employs a stark contrast, featuring minimal instrumentation that leaves a lingering sense of unease.
Composition 25% of the score
6/10

the writing — melody, harmony, structure, lyrics

Craft 20% of the score
7/10

production, performance, arrangement

Durability 25% of the score
5/10

whether it rewards returning to it

Distinctiveness 18% of the score
6/10

whether it sounds like itself

Sequencing 12% of the score
6/10

running order, pacing, length

Influence 2/10

Little footprint beyond its audience. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

  • wave-like tension and release
  • heightened cinematic experience
  • intense focus during action scenes
  • dynamic shifts in pacing
  • immersive sound for concentration

Maybe skip if you

  • seeking melodic sing-alongs
  • prefer steady, predictable rhythms

Where this album fits

In the catalog
Breakthrough — This score marked Shinoda's first solo venture into film scoring, gaining notable recognition.
Themes
high-stakes tension· action-packed urgency
Career context
In 2012, Mike Shinoda was well-known as a member of Linkin Park, yet this score marked his first solo venture into film scoring. Released shortly after the band’s fifth studio album, A Thousand Suns, this project allowed Shinoda to explore new sonic landscapes while maintaining his signature style, positioning him as a versatile artist capable of crossing genres.
Stylistic neighbors
Linkin Park· Fort Minor· Breaking Benjamin

Tracklist

  • 1 Prayers 1:44
  • 2 Gear Up Start here 3:58
  • 3 The Arrival 1:55
  • 4 We Have Company 4:51
  • 5 We’re Alone Here 1:45
  • 6 Quaking Old F**K 0:47
  • 7 Hole Drop 4:22
  • 8 Moving Up, Part 1 6:19
  • 9 Moving Up, Part 2 3:09
  • 10 Trapped 2:27
  • 11 Close Shave 2:32
  • 12 One Way Out 1:49
  • 13 Machete Standoff 4:37
  • 14 Rama’s Family Dream 1:15
  • 15 Chair Slam 1:17
  • 16 Dirty Cop 1:02
  • 17 Jaka Caught 0:32
  • 18 Dog Fight 2:56
  • 19 Uncle Andi 2:28
  • 20 Dead Already 1:01
  • 21 Drug Lab 3:45
  • 22 Andi Strung Up 2:34
  • 23 Putting a Mad Dog Down 7:05
  • 24 Misfire 2:20
  • 25 Razors.Out 4:34
  • 26 Suicide Music 3:44

Reference: Wikipedia · MusicBrainz · Wikidata