Released 60 years ago
The Real Folk Blues
John Lee Hooker · 1966
79 min · 18 tracks · R&B · Afro-Cuban jazz
A raw blend of blues rhythms and heartfelt storytelling, echoing the struggles and joys of everyday life.
Is this for you?
Good fit if you like
- dynamic journey with varied pacing
- heartfelt storytelling of everyday life
- for late-night contemplation
- raw emotions and relatable themes
- wave-like flow through moods
Maybe skip if you want
- seek instant gratification
- prefer standalone singles
Where this album fits
- Themes
- barroom storytelling· working-class struggle· Cuban rhythms influence
- Career context
- By 1966, John Lee Hooker was an established figure in the blues genre, having gained fame with hits like 'Boogie Chillen' in the late 1940s. 'The Real Folk Blues' marked a significant point in his career as it showcased his transition to a more polished sound while retaining his roots, following his resurgence in popularity during the folk revival.
- Stylistic neighbors
- Muddy Waters· Howlin' Wolf· Albert King
- Sounds like this from elsewhere
-
Hard Again by Muddy Waters — Shares a raw blues sound with heartfelt storytelling and a similar working-class vibe.Music from Big Pink by The Band — Combines folk and blues influences, emphasizing narrative lyrics and a rustic emotional depth.Buena Vista Social Club by Buena Vista Social Club — Features rich Cuban rhythms and storytelling, echoing the fusion of cultures found in Hooker's work.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Let’s Go Out Tonight 6:49
- 2 Peace Lovin’ Man 3:50
- 3 Stella Mae 2:59
- 4 I Put My Trust in You 5:16
- 5 I’m in the Mood 2:42
- 6 You Know, I Know 3:48
- 7 I’ll Never Trust Your Love Again 3:20
- 8 One Bourbon, One Scotch, One Beer 3:00
- 9 The Waterfront 5:19
- 10 This Land Is Nobody’s Land 4:31
- 11 Deep Blue Sea 3:35
- 12 Nobody Knows 4:24
- 13 Mustang Sally & GTO 4:38
- 14 Lead Me 4:45
- 15 Catfish 7:25
- 16 I Can’t Quit You Baby 3:27
- 17 Want Ad Blues 6:08
- 18 House Rent Blues 3:45
Reference: Wikipedia · MusicBrainz · Wikidata
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