The Red Violin cover

The Red Violin

John Corigliano · 1999

66 min · 20 tracks · classical music

A sweeping orchestral journey that intertwines diverse cultural motifs, reflecting the poignant tale of a legendary violin.

Top tracks — play these first

  • →
    Anna’s Theme Start here — accessible entry with immediate hook
  • →
    I. Cremona: Birth of the Red Violin — This track captures the essence of creation and artistry, serving as a pivotal moment in the story where the violin's significance is established.
  • →
    III. Oxford: Pope’s Concert — Highlighting a dramatic climax, this piece integrates tension with lyrical beauty, showcasing Corigliano's mastery in blending emotion with orchestration.
  • →
    V. Montréal: Morritz’s Theme — This theme embodies the emotional core of the narrative, representing themes of discovery and longing through its delicate melodic structure.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

Instrumental
77 /100
Summit
Higher than 99% of albums we've rated

A rich orchestral score with strong thematic material and cultural diversity, enhancing its narrative depth.

What we noticed

  • The album features a continuous orchestral narrative divided into five distinct movements, each representing a different cultural setting.
  • Each movement incorporates specific instruments and motifs that reflect the cultural background of its respective location, such as gypsy themes in the Oxford section.
  • The final track serves as a thematic culmination, revisiting motifs from earlier movements while introducing new variations.
Composition 25% of the score
8/10

the writing — melody, harmony, structure, lyrics

Craft 20% of the score
9/10

production, performance, arrangement

Durability 25% of the score
7/10

whether it rewards returning to it

Distinctiveness 18% of the score
8/10

whether it sounds like itself

Sequencing 12% of the score
8/10

running order, pacing, length

Influence 6/10

Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

  • sweeping narratives across generations
  • intimate moments of reflection
  • evocative storytelling through melody
  • dynamic shifts in emotional tone
  • focused listening for detail

Maybe skip if you

  • prefer upbeat, fast-paced music
  • seek standalone singles experience

Where this album fits

In the catalog
Breakthrough — Won an Academy Award and gained wider recognition for Corigliano's work.
Themes
Cremona craftsmanship· cultural journey· Montreal longing
Career context
When 'The Red Violin' was released in 1999, John Corigliano was already an established composer known for his innovative works in both concert and film music, following his Academy Award win for Best Original Score for 'The Red Violin'. This album marked a significant point in his career as it showcased his ability to blend classical compositions with cinematic storytelling, further solidifying his reputation in the film score genre.
Stylistic neighbors
Philip Glass· Aaron Copland· Leonard Bernstein

Tracklist

  • 1 Anna’s Theme Start here 2:50
  • 2 I. Cremona: Main Title 2:45
  • 3 I. Cremona: Death of Anna 1:46
  • 4 I. Cremona: Birth of the Red Violin 3:05
  • 5 I. Cremona: The Red Violin 1:34
  • 6 II. Vienna: The Monastery 1:06
  • 7 II. Vienna: Kaspar’s Audition / Journey to Vienna 2:40
  • 8 II. Vienna: Etudes 1:18
  • 9 II. Vienna: Death of Kaspar / III. Oxford: The Gypsies / Journey Across Europe 3:37
  • 10 III. Oxford: Pope’s Gypsy Cadenza 1:38
  • 11 III. Oxford: Coitus Musicalis / Victoria’s Departure 4:38
  • 12 III. Oxford: Pope’s Concert 1:22
  • 13 III. Oxford: Pope’s Betrayal 3:00
  • 14 IV. Shanghai: Journey to China 4:10
  • 15 IV. Shanghai: People’s Revolution / Death of Chou Yuan 3:17
  • 16 V. Montréal: Morritz Discovers the Red Violin 3:37
  • 17 V. Montréal: Morritz’s Theme 1:54
  • 18 V. Montréal: The Theft 2:12
  • 19 V. Montréal: End Titles 1:55
  • 20 “The Red Violin”: Chaconne for Violin and Orchestra 17:36

Reference: Wikipedia · MusicBrainz · Wikidata