Top tracks — play these first
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The Right to Rock — The title track encapsulates the album’s defiant spirit with its rousing chorus and energetic guitar work, serving as a manifesto for the band's ethos.
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Easier Said Than Done — This track showcases catchy hooks and a quintessential glam rock vibe, highlighting the band's ability to craft memorable melodies amid hard-hitting instrumentals.
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You’re the Victim (I’m the Crime) — With its gritty lyrics and driving beat, this song exemplifies Keel's hard rock edge while also reflecting their playful lyrical approach.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album captures the glam metal sound of its time but lacks standout compositions that elevate it beyond its peers.
What we noticed
- The album opens with a title track that features a driving beat and layered guitar harmonies, setting an energetic tone for the record.
- Each song typically follows a verse-chorus structure, with anthemic choruses designed for sing-alongs.
- The last two tracks shift slightly in tempo, providing a brief respite before concluding the album.
- Composition 25% of the score
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6/10
- Craft 20% of the score
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6/10
- Durability 25% of the score
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5/10
- Distinctiveness 18% of the score
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5/10
- Sequencing 12% of the score
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6/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 The Right to Rock 3:35
- 2 Back to the City 3:47
- 3 Let’s Spend the Night Together 3:41
- 4 Easier Said Than Done 3:24
- 5 So Many Girls, So Little Time 3:15
- 6 Electric Love 4:05
- 7 Speed Demon 3:39
- 8 Get Down 5:02
- 9 You’re the Victim (I’m the Crime) 2:58
Reference: Wikipedia · MusicBrainz · Wikidata
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