What makes Third Plane by Ron Carter notable?

This album is significant for its exploration of harmony and rhythm within post-bop jazz, contributing to the genre's evolution. It received positive critical reception, achieving notable recognition in jazz circles and influencing younger generations of musicians who sought to blend traditional jazz with innovative structures. By 1977, Ron Carter was an established figure in jazz, having gained acclaim as a bassist with Miles Davis. 'Third Plane' marked his return as a bandleader after several years of collaboration, showcasing his compositional skills and leadership in a quintet format. This album came during a period where Carter was transitioning into more experimental sounds while maintaining his roots in post-bop.

Who is Third Plane for?

Third Plane works well if you're into steady meditative listening experience, intricate melodies for reflection and peaks of subtle improvisation.

How many songs are on Third Plane?

Third Plane has 6 tracks, running approximately 39 minutes.

Third Plane

Ron Carter · 1977

39 min · 6 tracks · post-bop

A meditative journey through intricate melodies and subtle improvisations that embody post-bop's spirit.

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Why this album works

This album is significant for its exploration of harmony and rhythm within post-bop jazz, contributing to the genre's evolution. It received positive critical reception, achieving notable recognition in jazz circles and influencing younger generations of musicians who sought to blend traditional jazz with innovative structures.

Best for: steady meditative listening experience intricate melodies for reflection peaks of subtle improvisation
Context: By 1977, Ron Carter was an established figure in jazz, having gained acclaim as a bassist with Miles Davis. 'Third Plane' marked his return as a bandleader after several years of collaboration, showcasing his compositional skills and leadership in a quintet format. This album came during a period where Carter was transitioning into more experimental sounds while maintaining his roots in post-bop.
Stylistic neighbors: Herbie Hancock· Albert Mangelsdorff· Ahmad Jamal