What makes This Is the New Shit by Marilyn Manson notable?

The album's title track gained notable attention for its commentary on media saturation and celebrity culture, peaking at number 20 on the Billboard Hot 100. Moreover, the accompanying music video faced censorship due to its graphic imagery, highlighting Manson's ongoing ability to provoke discussion around art and morality. The song has been influential in shaping the aesthetic of shock rock and continues to resonate within Manson's discography. By the time 'This Is the New Shit' was released in 2003, Marilyn Manson had established himself as a controversial figure in rock music following the success of his previous album, 'The Golden Age of Grotesque.' This release marked a continuation of his provocative aesthetic while showcasing a more refined sound crafted with producer Tim Skold. It came at a time when Manson was navigating the complexities of fame and public scrutiny, solidifying his place in the industrial metal genre.

How many songs are on This Is the New Shit?

This Is the New Shit has 3 tracks, running approximately 18 minutes.

This Is the New Shit

Marilyn Manson · 2003

18 min · 3 tracks · industrial metal

A relentless fusion of industrial sounds and provocative lyrics that challenge societal norms and embrace chaos.

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Top tracks — play these first

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This Is the New Shit — This title track encapsulates the album's themes of media critique and self-awareness, underscored by a driving industrial beat that makes it instantly recognizable.
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This Is the New Shit (Marilyn Manson vs. Goldfrapp) — This remix offers a fresh take on the original, blending Manson's industrial edge with Goldfrapp's electronic style, showcasing his versatility and appeal across genres.
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Mind of a Lunatic — This sprawling track dives deep into Manson's psyche, combining dark lyrical themes with intricate soundscapes that reflect his artistic complexity.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

45 /100

Lowland

Higher than 5% of albums we've rated

The single showcases strong production and provocative themes but lacks depth for repeated listens.

What we noticed

The title track features a driving beat with layered electronic elements that create a dense soundscape.
The second track is a remix that alters the original's tempo and introduces new vocal effects, changing its overall feel.
The final track presents a more aggressive vocal delivery over a minimalist instrumental backdrop, contrasting with the first two.

Composition 25% of the score: 6/10
Craft 20% of the score: 7/10
Durability 25% of the score: 5/10
Distinctiveness 18% of the score: 6/10
Sequencing 12% of the score: 4/10

Influence 3/10

Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Where this album fits

In the catalog: Breakthrough — The track gained notable attention and peaked at number 20 on the Billboard Hot 100.
Themes: media critique· celebrity scrutiny· industrial chaos
Career context: By the time 'This Is the New Shit' was released in 2003, Marilyn Manson had established himself as a controversial figure in rock music following the success of his previous album, 'The Golden Age of Grotesque.' This release marked a continuation of his provocative aesthetic while showcasing a more refined sound crafted with producer Tim Skold. It came at a time when Manson was navigating the complexities of fame and public scrutiny, solidifying his place in the industrial metal genre.
Stylistic neighbors: Nine Inch Nails· Rob Zombie· Ministry