Too Much, Too Little, Too Late
Johnny Mathis · 1978
45 min · 12 tracks · pop music
Smooth melodies intertwine with lush arrangements, showcasing Johnny Mathis's timeless vocal charm over romantic themes.
Top tracks — play these first
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Too Much, Too Little, Too Late Start here — This duet with Deniece Williams not only topped the charts but encapsulates the album's themes of love and longing through its heartfelt lyrics and harmonious blend of voices.
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Gina — A tender ballad where Mathis's smooth delivery highlights the emotional depth of the lyrics, making it a standout track that showcases his vocal prowess.
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Love Won’t Let Me Wait — This cover brings a soulful edge to Mathis's repertoire, illustrating his versatility while appealing to the burgeoning R&B audience of the time.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album features strong vocal performances and consistent themes but lacks standout compositions.
What we noticed
- The title track opens the album with a slow tempo and lush orchestration, setting a romantic mood that persists throughout.
- Each song features prominent vocal harmonies, often layering Mathis's voice with background vocals to create a rich sound.
- Several tracks include instrumental interludes that extend the overall length of the songs, contributing to a smooth flow.
- The album closes with a cover of 'It’s Gonna Take a Miracle,' which shifts the energy slightly but maintains the overall theme of love and longing.
- Composition 25% of the score
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6/10
- Craft 20% of the score
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7/10
- Durability 25% of the score
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5/10
- Distinctiveness 18% of the score
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5/10
- Sequencing 12% of the score
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6/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Little footprint beyond its audience. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- wave-like emotional ebb and flow
- late-night reflective solitude
- short tracks for quick enjoyment
- cathartic moments of vulnerability
- warm nostalgia for past love
Maybe skip if you
- prefer high-energy listening experiences
- seek instant gratification in music
Where this album fits
- In the catalog
- Breakthrough — Revitalized Mathis's career with a number one hit, marking his return to prominence.
- Themes
- romantic longing· 1970s pop nostalgia· duet harmonies
- Career context
- Upon its release in 1978, 'Too Much, Too Little, Too Late' marked Johnny Mathis's return to the top of the charts after a period of fluctuating popularity. This album came during his transition into a more contemporary sound while staying true to his roots in easy listening and pop music, following the success of his previous hits in the 1960s and early 70s.
- Stylistic neighbors
- Perry Como· Frank Sinatra· Nat King Cole
Moments worth listening for
Where the writing does something specific.
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Never Say Never
The perspective shifts from hopeful anticipation to a resigned acceptance poignantly captures the essence of uncertainty in relationships.
Tracklist
- 1 Too Much, Too Little, Too Late Start here 2:58
- 2 Gina 2:48
- 3 Never Say Never 4:57
- 4 Emotion 3:17
- 5 What Will My Mary Say 3:10
- 6 Free 5:50
- 7 You’re All I Need to Get By 2:40
- 8 Love Them From “Romeo and Juliet” (A Time for Us) 2:55
- 9 Silly 5:57
- 10 Love Won’t Let Me Wait 4:14
- 11 When Sunny Gets Blue 2:42
- 12 It’s Gonna Take a Miracle 4:09
If this landed
Records by other artists that run on the same instinct.
Reference: Wikipedia · MusicBrainz · Wikidata
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