Too Much, Too Little, Too Late cover

Too Much, Too Little, Too Late

Johnny Mathis · 1978

45 min · 12 tracks · pop music

Smooth melodies intertwine with lush arrangements, showcasing Johnny Mathis's timeless vocal charm over romantic themes.

Top tracks — play these first

  • →
    Too Much, Too Little, Too Late Start here — This duet with Deniece Williams not only topped the charts but encapsulates the album's themes of love and longing through its heartfelt lyrics and harmonious blend of voices.
  • →
    Gina — A tender ballad where Mathis's smooth delivery highlights the emotional depth of the lyrics, making it a standout track that showcases his vocal prowess.
  • →
    Love Won’t Let Me Wait — This cover brings a soulful edge to Mathis's repertoire, illustrating his versatility while appealing to the burgeoning R&B audience of the time.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

46 /100
Foothills
Higher than 10% of albums we've rated

The album features strong vocal performances and consistent themes but lacks standout compositions.

What we noticed

  • The title track opens the album with a slow tempo and lush orchestration, setting a romantic mood that persists throughout.
  • Each song features prominent vocal harmonies, often layering Mathis's voice with background vocals to create a rich sound.
  • Several tracks include instrumental interludes that extend the overall length of the songs, contributing to a smooth flow.
  • The album closes with a cover of 'It’s Gonna Take a Miracle,' which shifts the energy slightly but maintains the overall theme of love and longing.
Composition 25% of the score
6/10

the writing — melody, harmony, structure, lyrics

Craft 20% of the score
7/10

production, performance, arrangement

Durability 25% of the score
5/10

whether it rewards returning to it

Distinctiveness 18% of the score
5/10

whether it sounds like itself

Sequencing 12% of the score
6/10

running order, pacing, length

Influence 2/10

Little footprint beyond its audience. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

  • wave-like emotional ebb and flow
  • late-night reflective solitude
  • short tracks for quick enjoyment
  • cathartic moments of vulnerability
  • warm nostalgia for past love

Maybe skip if you

  • prefer high-energy listening experiences
  • seek instant gratification in music

Where this album fits

In the catalog
Breakthrough — Revitalized Mathis's career with a number one hit, marking his return to prominence.
Themes
romantic longing· 1970s pop nostalgia· duet harmonies
Career context
Upon its release in 1978, 'Too Much, Too Little, Too Late' marked Johnny Mathis's return to the top of the charts after a period of fluctuating popularity. This album came during his transition into a more contemporary sound while staying true to his roots in easy listening and pop music, following the success of his previous hits in the 1960s and early 70s.
Stylistic neighbors
Perry Como· Frank Sinatra· Nat King Cole

Moments worth listening for

Where the writing does something specific.

  • Never Say Never

    The perspective shifts from hopeful anticipation to a resigned acceptance poignantly captures the essence of uncertainty in relationships.

Tracklist

  • 1 Too Much, Too Little, Too Late Start here 2:58
  • 2 Gina 2:48
  • 3 Never Say Never 4:57
  • 4 Emotion 3:17
  • 5 What Will My Mary Say 3:10
  • 6 Free 5:50
  • 7 You’re All I Need to Get By 2:40
  • 8 Love Them From “Romeo and Juliet” (A Time for Us) 2:55
  • 9 Silly 5:57
  • 10 Love Won’t Let Me Wait 4:14
  • 11 When Sunny Gets Blue 2:42
  • 12 It’s Gonna Take a Miracle 4:09

Reference: Wikipedia · MusicBrainz · Wikidata