What makes Tree: Music for Films and Forests by Jane Siberry notable?

This album is significant for its fusion of ambient soundscapes with folk influences, contributing to the growing genre of atmospheric music in the late '90s. It received positive reviews from critics, particularly for its innovative arrangements and introspective themes, solidifying Siberry's reputation as an avant-garde artist in the pop music scene. By the release of 'Tree: Music for Films and Forests' in 1999, Jane Siberry had already established herself as a unique voice in Canadian pop music, following her critically acclaimed albums like 'When I Was a Boy' (1993). This album marked her artistic evolution into more experimental territory, embracing themes of nature and spirituality while showcasing her signature poetic lyricism.

Who is Tree: Music for Films and Forests for?

Tree: Music for Films and Forests works well if you're into meditative reflections on nature, long, immersive soundscapes and gentle exploration of tranquility.

How many songs are on Tree: Music for Films and Forests?

Tree: Music for Films and Forests has 9 tracks, running approximately 60 minutes.

Tree: Music for Films and Forests

Jane Siberry · 1999

60 min · 9 tracks · pop music

Ethereal soundscapes blend with reflective storytelling to create a meditative exploration of nature and human experience.

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Top tracks — play these first

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Burning Ship — Spanning over fifteen minutes, this track encapsulates a journey through emotional landscapes, marrying haunting melodies with intricate instrumentation that showcases Siberry's artistic depth.
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It Can’t Rain All the Time — This poignant piece features lush arrangements that complement its lyrical themes of hope and resilience, making it a standout representation of the album's overarching mood.
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Up the Loggin’ Road — With its vivid imagery and narrative structure, this track captures the essence of the natural world while reflecting on human impact, embodying the album's environmental consciousness.

Is this for you?

Good fit if you like

meditative reflections on nature
long, immersive soundscapes
gentle exploration of tranquility
slow pacing for deep listening

Maybe skip if you

seeking fast-paced excitement
prefer upbeat, energetic tracks

Where this album fits

Career context: By the release of 'Tree: Music for Films and Forests' in 1999, Jane Siberry had already established herself as a unique voice in Canadian pop music, following her critically acclaimed albums like 'When I Was a Boy' (1993). This album marked her artistic evolution into more experimental territory, embracing themes of nature and spirituality while showcasing her signature poetic lyricism.
Stylistic neighbors: Lisa Germano· Fiona Apple· Tori Amos