Tres cosas
Juana Molina · 2002
57 min · 13 tracks · pop music
A tapestry of intricate melodies and layered harmonies that blend folk roots with experimental pop sensibilities.
Top tracks — play these first
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No es tan cierto — This opening track sets the tone for the album with its engaging rhythms and reflective lyrics, showcasing Molina's ability to weave personal narrative into her sound.
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El cristal — With its ethereal soundscape and haunting vocals, this track exemplifies Molina's talent for creating atmospheric music that invites deep listening.
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Sálvese quién pueda — This song stands out for its playful yet urgent rhythm, reflecting themes of escape and freedom that resonate throughout the album.
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Tres cosas — The title track encapsulates the album's themes of introspection and connection through its rich instrumentation and poignant lyricism.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album's intricate layering and experimental structures create a unique listening experience that rewards exploration.
What we noticed
- Several tracks incorporate unconventional song structures, with shifts in tempo and dynamics that challenge typical pop forms.
- Molina's vocal delivery often intertwines with the instrumentation, using harmonies that create a sense of dialogue rather than traditional lead and backing roles.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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8/10
- Sequencing 12% of the score
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7/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- whimsical melodies for daydreaming
- wave-like pacing invites reflection
- enchanting soundscapes for exploration
- dynamic flow encourages replay
- for relaxed afternoons
Maybe skip if you
- seeking instant gratification
- prefer straightforward song structures
Where this album fits
- Career context
- By the time Juana Molina released Tres cosas in 2002, she was transitioning from her earlier works into a more experimental sound. This album marked her third studio release, following her critically acclaimed debut, which established her as a unique voice in Argentine music. It showcased her growth as an artist, further expanding her sonic palette and artistic direction.
- Stylistic neighbors
- Lali Puna· Eleanor Friedberger· Nils Frahm
Moments worth listening for
Where the writing does something specific.
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Cúrame
In this track, the singer shifts from expressing vulnerability to invoking healing through intimacy and connection.
The transition in focus from self-reflection to a plea for closeness creates a powerful emotional arc that enhances the song's depth.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 No es tan cierto 3:13
- 2 El cristal 5:03
- 3 Sálvese quién pueda 5:58
- 4 Uh! 3:33
- 5 Tres cosas 3:58
- 6 Yo sé que 5:55
- 7 Isabel 4:22
- 8 Lamba corta 2:22
- 9 Sólo su voz 4:10
- 10 Cúrame 6:34
- 11 Filter taps 4:12
- 12 El progreso 5:25
- 13 Insensible 2:53
Reference: Wikipedia · MusicBrainz · Wikidata
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