Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

72 /100
Treeline
Higher than 58% of albums we've rated

Direct, compact punk writing and memorable refrains give the record staying power, while the repeated fast-song template limits its musical variation.

What we noticed

  • The songs are mostly short, fast guitar-bass-drums charges, with little space between sections and verses pushed toward shouted refrains.
  • The titles and vocal phrasing keep the focus on street-level work, drinking and conflict; the closing track, “Ya no sos igual,” lands as a final singalong rather than a slower comedown.
  • Across fifteen tracks, the recurring brisk pace makes the album move quickly, but the similar arrangements leave few major shifts in its shape.
Composition 25% of the score
7/10

the writing — melody, harmony, structure, lyrics

Craft 20% of the score
6/10

production, performance, arrangement

Durability 25% of the score
7/10

whether it rewards returning to it

Distinctiveness 18% of the score
7/10

whether it sounds like itself

Sequencing 12% of the score
7/10

running order, pacing, length

Influence 6/10

Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Tracklist

Best experienced from track one — press play and let it unfold.

  • 1 Valentín Alsina 1:31
  • 2 Canción de amor 2:14
  • 3 ¡Qué mala suerte! 1:44
  • 4 Novedades 2:02
  • 5 Odio laburar 1:54
  • 6 Amor suicida 2:25
  • 7 14 botellas 0:52
  • 8 Vos no confiaste 1:42
  • 9 Barricada 1:10
  • 10 Otra mujer 1:59
  • 11 Como caramelo de limón 2:09
  • 12 Demasiado tarde (La marcha) 2:12
  • 13 Pelea callejera 1:17
  • 14 Arrebato 1:50
  • 15 Ya no sos igual 3:02

Reference: MusicBrainz · Wikidata