Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
Compact punk writing and a distinctly local street-level voice give it character; its force comes more from directness than from musical or structural variation.
What we noticed
- The opening run moves from “Copetín al paso” through “Ataque” without a slow introductory track; short, blunt song forms set the pace early.
- The titles and songs keep returning to barroom, workday and street-life settings, while “Tema de Adrián” briefly turns that subject matter toward a named character.
- “Q.E.P.D.” closes the 12-track sequence after “Piñas van, piñas vienen,” keeping the record’s direct, compact pacing to the end.
- Composition 25% of the score
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6/10
- Craft 20% of the score
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6/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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7/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Copetín al paso 1:27
- 2 Todo lo miro 2:18
- 3 Ataque 1:34
- 4 Tema de Adrián 2:58
- 5 Borracho y agresivo 1:48
- 6 Laburantes 1:24
- 7 Mosca de bar 4:07
- 8 El mejor recuerdo 2:12
- 9 Vago 2:40
- 10 Otra vez (La casa de Juan) 3:01
- 11 Piñas van, piñas vienen 2:13
- 12 Q.E.P.D. 1:11
Reference: MusicBrainz · Wikidata
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