Valve No. 10
Billy Bang · 1988
47 min · 7 tracks · jazz
A vibrant blend of improvisational jazz, blending complex harmonies with emotive violin lines in a captivating dialogue.
Top tracks — play these first
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Valve No. 10 — The title track serves as a centerpiece, demonstrating Bang's virtuosity on the violin while engaging in intricate call-and-response patterns with fellow musicians.
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Lonnie’s Lament — This piece highlights Bang's ability to evoke deep emotion through nuanced phrasing and dynamic interplay, making it a standout example of his expressive style.
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Bien-Hoa Blues — Infused with a poignant sense of nostalgia, this track blends blues influences with jazz sensibilities, reflecting Bang's personal experiences and cultural heritage.
Is this for you?
Good fit if you like
- captivating improvisational dialogues
- emotionally resonant violin lines
- dynamic shifts in pacing
- thoughtful afternoon listening sessions
Maybe skip if you
- prefer structured, predictable music
- want instant gratification
Where this album fits
- Career context
- Released in 1988, Valve No. 10 marked Billy Bang's emergence as a significant voice in avant-garde jazz, following his work with the String Trio of New York. This album came after his acclaimed 1985 release, Vietnam: The Aftermath, showcasing his continued exploration of personal and political themes through innovative compositions.
- Stylistic neighbors
- David Murray· Henry Threadgill· William Hooker
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 P.M. 5:46
- 2 Valve No. 10 9:13
- 3 September 23rd 5:49
- 4 Improvisation for Four 4:09
- 5 Bien-Hoa Blues 4:56
- 6 Holiday for Flowers 5:28
- 7 Lonnie’s Lament 12:16
Reference: Wikipedia · MusicBrainz · Wikidata
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