Is Very Tall a good place to start with Oscar Peterson?

Yes, Very Tall is recommended as a starting point for new Oscar Peterson listeners. A vibrant exploration of jazz that interweaves intricate melodies with a spirited rhythm section and Peterson's signature piano finesse. By the time 'Very Tall' was released in 1961, Oscar Peterson was already a prominent figure in jazz, known for his virtuosic technique and engaging performances. This album came shortly after his acclaimed work on 'Night Train' (1962), marking a period of continued artistic evolution and collaboration, showcasing his ability to blend various jazz styles.

Who is Very Tall for?

Very Tall works well if you're into steady melodic development throughout, for reflective afternoons and engaging piano interplay and rhythms.

How many songs are on Very Tall?

Very Tall has 6 tracks, running approximately 40 minutes.

Very Tall

Oscar Peterson · 1961

40 min · 6 tracks · blues

A vibrant exploration of jazz that interweaves intricate melodies with a spirited rhythm section and Peterson's signature piano finesse.

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Top tracks — play these first

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Green Dolphin Street Start here — This track highlights Peterson's lyrical touch and complex improvisation over a standard that has become synonymous with jazz excellence. The interplay between the piano and rhythm section showcases a seamless blend of melody and groove.
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The Work Song — Peterson's arrangement transforms this traditional song into a lively jazz piece, demonstrating his ability to infuse joyful energy into familiar themes while maintaining rhythmic complexity.
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Reunion Blues — This composition exhibits an intricate dialogue between instruments, emphasizing Peterson’s exceptional skill at constructing engaging musical conversations within a trio setting.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

73 /100

Alpine

Higher than 96% of albums we've rated

The album features strong compositions and exceptional craftsmanship, showcasing Peterson's unique style within jazz.

What we noticed

The album opens with a lively rendition of 'Green Dolphin Street', featuring intricate piano lines that set a vibrant tone.
Each track showcases Peterson's improvisational skills, with extended solos that highlight the interplay between piano and rhythm section.
The final track, 'Reunion Blues', features a gradual build-up in tempo and intensity, creating a climactic finish to the album.

Composition 25% of the score: 8/10
Craft 20% of the score: 9/10
Durability 25% of the score: 7/10
Distinctiveness 18% of the score: 8/10
Sequencing 12% of the score: 6/10

Influence 6/10

Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

steady melodic development throughout
for reflective afternoons
engaging piano interplay and rhythms
inviting atmosphere for conversation

Maybe skip if you

seeking immediate high-energy tracks
prefer short, standalone songs

Where this album fits

In the catalog: Critical Peak — Showcases Peterson's rhythmic complexity and improvisational brilliance, marking a high point in his career.
Themes: blue notes· collaborative jazz· intricate piano melodies
Moods: Introspective· Chill
Career context: By the time 'Very Tall' was released in 1961, Oscar Peterson was already a prominent figure in jazz, known for his virtuosic technique and engaging performances. This album came shortly after his acclaimed work on 'Night Train' (1962), marking a period of continued artistic evolution and collaboration, showcasing his ability to blend various jazz styles.
Stylistic neighbors: Bill Evans· Herbie Hancock· McCoy Tyner