Waldron-Haslam
Mal Waldron · 1994
68 min · 8 tracks · jazz
A contemplative blend of jazz standards and original compositions that evoke deep emotional resonance.
Why this album works
This album showcases Waldron's innovative approach to jazz, merging traditional standards with avant-garde elements. It received critical acclaim for its intricate arrangements and emotional depth, reflecting Waldron's distinct voice in the jazz community during the early '90s.
- Best for
- gradual build to emotional climax long, meditative listening experience deeply resonant reflective moments
- Context
- By 1994, Mal Waldron was a respected figure in the jazz world, known for his unique piano style and contributions as a composer. 'Waldron-Haslam' is a collaboration with saxophonist David Haslam, marking a period where Waldron was exploring new musical dialogues after years of established performance.
- Stylistic neighbors
- Bing Crosby· Dean Martin· Ella Fitzgerald· Dave Brubeck· Ray Charles· Andy Williams· Chet Atkins· Tony Bennett
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 I Got It Bad and That Ain’t Good Standout 8:17
- 2 If I Were a Bell 8:08
- 3 Catch as Catch Should 7:09
- 4 Somewhere 5:42
- 5 Variations on Brahms 3, Mvt. 3 4:50
- 6 A Time for Duke Standout 7:04
- 7 The Vortex 8:46
- 8 Motion in Order Standout 18:47
Reference: Wikipedia · MusicBrainz · Wikidata
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