We Are the Romans cover

We Are the Romans

Botch · 2000

105 min · 21 tracks · metalcore

A chaotic blend of intricate rhythms and aggressive vocals, encapsulating the raw energy of early 2000s mathcore.

Top tracks — play these first

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    Transitions From Persona to Object — This track stands out for its dynamic shifts between chaotic verses and melodic passages, embodying the band's signature blend of aggression and complexity.
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    Saint Matthew Returns to the Womb — The juxtaposition of frantic tempo changes and haunting melodies showcases Botch's ability to create tension, making it a defining moment on the album.
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    I Wanna Be a Sex Symbol on My Own Terms — This track combines humor with biting critique, using playful lyrics to challenge societal norms while delivering relentless musical energy.
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    C. Thomas Howell as the “Soul Man” — With its unconventional song structure and erratic time signatures, this track exemplifies the creative risk-taking that characterizes We Are the Romans.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

60 /100
Treeline
Higher than 66% of albums we've rated

The album showcases innovative compositions and distinct vocal styles, though its cohesion suffers from numerous bonus tracks.

What we noticed

  • Vocals alternate between aggressive screams and melodic lines, often layered with harmonies that create a chaotic yet structured sound.
Composition 25% of the score
8/10

the writing — melody, harmony, structure, lyrics

Craft 20% of the score
7/10

production, performance, arrangement

Durability 25% of the score
6/10

whether it rewards returning to it

Distinctiveness 18% of the score
8/10

whether it sounds like itself

Sequencing 12% of the score
4/10

running order, pacing, length

Influence 6/10

Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Moments worth listening for

Where the writing does something specific.

  • Transitions From Persona to Object

    A sudden shift in lyrical perspective occurs when the narrative voice directly confronts an internal struggle about identity.

Tracklist

Best experienced from track one — press play and let it unfold.

Disc 1

  • 1 To Our Friends in the Great White North 5:11
  • 2 Mondrian Was a Liar 2:41
  • 3 Transitions From Persona to Object 6:04
  • 4 Swimming the Channel vs. Driving the Chunnel 4:30
  • 5 C. Thomas Howell as the “Soul Man” 4:44
  • 6 Saint Matthew Returns to the Womb 3:04
  • 7 Frequency Ass Bandit 4:26
  • 8 I Wanna Be a Sex Symbol on My Own Terms 3:35
  • 9 Man the Ramparts 10:54
  • 10 Thank God for Worker Bees (remix) 7:30

Disc 2

  • 1 To Our Friends in the Great White North (demo) 5:17
  • 2 I Wanna Be a Sex Symbol on My Own Terms (demo) 3:41
  • 3 Transitions From Persona to Object (demo) 6:34
  • 4 Mondrian Was a Liar (demo) 3:02
  • 5 Saint Matthew Returns to the Womb (demo) 3:21
  • 6 C. Thomas Howell as the “Soul Man” (demo) 4:25
  • 7 Man the Ramparts (demo) 6:33
  • 8 Saint Matthew Returns to the Womb (live) 4:20
  • 9 Vietmam (live) 3:13
  • 10 Transitions From Persona to Object (live) 6:01
  • 11 Hutton’s Great Heat Engine (live) 6:19

Reference: Wikipedia · MusicBrainz · Wikidata