Top tracks — play these first
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Transitions From Persona to Object — This track stands out for its dynamic shifts between chaotic verses and melodic passages, embodying the band's signature blend of aggression and complexity.
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Saint Matthew Returns to the Womb — The juxtaposition of frantic tempo changes and haunting melodies showcases Botch's ability to create tension, making it a defining moment on the album.
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I Wanna Be a Sex Symbol on My Own Terms — This track combines humor with biting critique, using playful lyrics to challenge societal norms while delivering relentless musical energy.
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C. Thomas Howell as the “Soul Man” — With its unconventional song structure and erratic time signatures, this track exemplifies the creative risk-taking that characterizes We Are the Romans.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album showcases innovative compositions and distinct vocal styles, though its cohesion suffers from numerous bonus tracks.
What we noticed
- Vocals alternate between aggressive screams and melodic lines, often layered with harmonies that create a chaotic yet structured sound.
- Composition 25% of the score
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8/10
- Craft 20% of the score
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7/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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8/10
- Sequencing 12% of the score
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4/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Moments worth listening for
Where the writing does something specific.
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Transitions From Persona to Object
A sudden shift in lyrical perspective occurs when the narrative voice directly confronts an internal struggle about identity.
Tracklist
Best experienced from track one — press play and let it unfold.
Disc 1
- 1 To Our Friends in the Great White North 5:11
- 2 Mondrian Was a Liar 2:41
- 3 Transitions From Persona to Object 6:04
- 4 Swimming the Channel vs. Driving the Chunnel 4:30
- 5 C. Thomas Howell as the “Soul Man” 4:44
- 6 Saint Matthew Returns to the Womb 3:04
- 7 Frequency Ass Bandit 4:26
- 8 I Wanna Be a Sex Symbol on My Own Terms 3:35
- 9 Man the Ramparts 10:54
- 10 Thank God for Worker Bees (remix) 7:30
Disc 2
- 1 To Our Friends in the Great White North (demo) 5:17
- 2 I Wanna Be a Sex Symbol on My Own Terms (demo) 3:41
- 3 Transitions From Persona to Object (demo) 6:34
- 4 Mondrian Was a Liar (demo) 3:02
- 5 Saint Matthew Returns to the Womb (demo) 3:21
- 6 C. Thomas Howell as the “Soul Man” (demo) 4:25
- 7 Man the Ramparts (demo) 6:33
- 8 Saint Matthew Returns to the Womb (live) 4:20
- 9 Vietmam (live) 3:13
- 10 Transitions From Persona to Object (live) 6:01
- 11 Hutton’s Great Heat Engine (live) 6:19
Reference: Wikipedia · MusicBrainz · Wikidata
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