When Harry Met Sally...
Harry Connick Jr. · 1989
38 min · 11 tracks · jazz
A romantic blend of classic jazz standards and sophisticated arrangements that evoke the essence of love and connection.
Top tracks — play these first
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It Had to Be You (with Big Band and Vocals) Start here — This track encapsulates the album's romantic spirit with Connick's smooth vocals and vibrant big band arrangement, making it an unforgettable centerpiece of both the film and the soundtrack.
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Autumn in New York — With its lush orchestration and heartfelt delivery, this rendition highlights Connick's ability to convey deep emotion while showcasing the classic beauty of the song.
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Don't Get Around Much Anymore — Connick's playful interpretation adds a modern twist to this timeless standard, blending nostalgia with a buoyant energy that reflects the film's charm.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album blends vocal and instrumental jazz standards effectively, though it doesn't fully stand out in its genre.
What we noticed
- The last two tracks slow down the tempo significantly, creating a reflective mood that contrasts with the more upbeat pieces earlier in the album.
- Composition 25% of the score
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7/10
- Craft 20% of the score
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8/10
- Durability 25% of the score
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6/10
- Distinctiveness 18% of the score
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6/10
- Sequencing 12% of the score
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7/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- romantic nostalgia for cozy evenings
- steady mid-tempo for relaxed listening
- backdrop for intimate gatherings
- playful arrangements that invite dancing
- short tracks for easy enjoyment
Maybe skip if you
- seeking high-energy party vibes
- prefer complex, lengthy compositions
Where this album fits
- In the catalog
- Breakthrough — Established Connick's reputation, popularizing jazz standards among younger audiences.
- Career context
- When Harry Met Sally... marked Harry Connick Jr.'s major film soundtrack debut, released just as he was emerging as a prominent artist in the jazz genre. Prior to this, Connick had gained recognition for his self-titled debut album, but this project showcased his ability to reinterpret classic standards for a contemporary audience, solidifying his place in the music industry.
- Stylistic neighbors
- Jamie Cullum· Diana Krall· Norah Jones
Tracklist
- 1 It Had to Be You (with Big Band and Vocals) Start here 2:41
- 2 Love Is Here to Stay 4:13
- 3 Stompin' at the Savoy 4:17
- 4 But Not for Me 4:34
- 5 Winter Wonderland 3:04
- 6 Don't Get Around Much Anymore 4:24
- 7 Autumn in New York 2:50
- 8 I Could Write a Book 2:30
- 9 Let's Call the Whole Thing Off 4:13
- 10 It Had to Be You (instrumental Trio) 1:44
- 11 Where or When 3:51
What to play next
We Are in Love
1990
Continues the romantic themes with lush arrangements and a similar jazz style.
20
1988
Sets up the sound and feel that leads into the charm of When Harry Met Sally...
Reference: Wikipedia · MusicBrainz · Wikidata
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