Who Do We Think We Are
Deep Purple · 1973
72 min · 14 tracks · hard rock
A dynamic fusion of hard rock and progressive elements, defined by intricate musicianship and powerful vocal performances.
Top tracks — play these first
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Woman From Tokyo Start here — This track stands out as one of Deep Purple's most commercially successful songs, balancing catchy melodies with heavy riffs that exemplify the band's signature style.
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Mary Long — With its driving rhythm and sharp lyrics critiquing the music industry, this song reflects the band's frustrations and showcases their lyrical depth.
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Rat Bat Blue — This track features complex time signatures and an improvisational feel, highlighting the band's prowess in blending hard rock with progressive elements.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The album blends hard rock with progressive elements, showcasing strong musicianship but lacks overall cohesion.
What we noticed
- The first three tracks feature a consistent hard rock tempo, while the fourth track introduces a slower groove that contrasts with the opening.
- Composition 25% of the score
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6/10
- Craft 20% of the score
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7/10
- Durability 25% of the score
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5/10
- Distinctiveness 18% of the score
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7/10
- Sequencing 12% of the score
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6/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- long, immersive listening sessions
- dynamic emotional journeys
- wave-like pacing throughout
- layered, dense sonic textures
Where this album fits
- In the catalog
- Breakthrough — It solidified Deep Purple's status after the success of 'Machine Head'.
- Themes
- music industry critique· Tokyo nights· fame's pressures
- Moods
- Nostalgic· Introspective
- Career context
- Released in January 1973, Who Do We Think We Are is Deep Purple's seventh studio album and the last with their classic lineup before a significant lineup change. Following the success of Machine Head, this album aimed to build on their established sound while showcasing new directions.
- Stylistic neighbors
- Led Zeppelin· Black Sabbath· Rainbow
Tracklist
- 1 Woman From Tokyo Start here 5:51
- 2 Mary Long 4:26
- 3 Super Trouper 2:56
- 4 Smooth Dancer 4:13
- 5 Rat Bat Blue 5:26
- 6 Place in Line 6:31
- 7 Our Lady 5:20
- 8 Woman From Tokyo (’99 remix) 6:37
- 9 Woman From Tokyo (alternate bridge) 1:26
- 10 Painted Horse 5:21
- 11 Our Lady (’99 remix) 6:06
- 12 Rat Bat Blue (writing session) 0:56
- 13 Rat Bat Blue (’99 remix) 5:49
- 14 First Day Jam 11:26
If this landed
Records by other artists that run on the same instinct.
Physical Graffiti
Led Zeppelin
Shares a complex blend of hard rock and progressive elements with layered instrumentation.
2112
Rush
Explores themes of individualism and industry critique within a progressive rock framework.
The Dark Side of the Moon
Pink Floyd
Captures similar introspective themes with intricate musicianship and atmospheric soundscapes.
Reference: Wikipedia · MusicBrainz · Wikidata
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