What does XMII sound like?

A cerebral blend of progressive metal and rock enveloped in atmospheric textures and introspective lyrics. Rooted in progressive metal and progressive rock. Start with "Shesmovedon".

Is XMII a good place to start with Porcupine Tree?

Yes, XMII is recommended as a starting point for new Porcupine Tree listeners. A cerebral blend of progressive metal and rock enveloped in atmospheric textures and introspective lyrics. Released on June 1, 2005, XMII marked Porcupine Tree's sixth studio album, following their commercial breakthrough with In Absentia in 2002. By this time, the band had solidified their presence in the progressive rock scene, exploring deeper thematic content and more intricate musical arrangements. This album continued to build on their established sound while reflecting a growing maturity in their songwriting.

XMII works well if you're into long, immersive listening sessions, dynamic emotional journeys and atmospheric background focus.

How many songs are on XMII?

XMII has 8 tracks, running approximately 50 minutes.

XMII

Porcupine Tree · 2005

50 min · 8 tracks · progressive metal

A cerebral blend of progressive metal and rock enveloped in atmospheric textures and introspective lyrics.

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Top tracks — play these first

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Shesmovedon Start here — establishes the sonic palette early
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Trains — This track exemplifies Porcupine Tree's signature style, combining intricate guitar work with soaring melodies that evoke a sense of nostalgia and yearning. Its dynamic shifts between soft verses and powerful choruses illustrate the band's mastery of contrast.
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Hatesong — With its haunting lyrics and heavy instrumentation, Hatesong delves into themes of despair and betrayal, showcasing the band's ability to fuse emotional weight with musical complexity. The song features an extended instrumental section that builds tension before releasing into cathartic conclusions.
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Russia on Ice — At over twelve minutes long, this epic track captures the essence of progressive rock through its expansive soundscapes and shifting time signatures. It combines socio-political commentary with personal reflection, making it a standout piece that showcases the band's lyrical depth.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

68 /100

Alpine

Higher than 93% of albums we've rated

The album features intricate arrangements and thoughtful compositions that reward repeat listening.

What we noticed

The album opens with a track that features a slow build-up, layering guitars and keyboards to create a dense atmosphere before introducing vocals.
Several tracks incorporate extended instrumental sections, allowing for improvisation and exploration of themes without relying heavily on lyrics.
The final track ends with a gradual fade-out, leaving the listener in a contemplative space rather than concluding with a definitive resolution.

Composition 25% of the score: 8/10
Craft 20% of the score: 7/10
Durability 25% of the score: 8/10
Distinctiveness 18% of the score: 7/10
Sequencing 12% of the score: 6/10

Influence 4/10

Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

long, immersive listening sessions
dynamic emotional journeys
atmospheric background focus
gradual builds and payoffs

Where this album fits

In the catalog: Breakthrough — 'XMII' followed 'In Absentia', further establishing the band's growing international recognition.
Moods: Introspective· Dreamy
Career context: Released on June 1, 2005, XMII marked Porcupine Tree's sixth studio album, following their commercial breakthrough with In Absentia in 2002. By this time, the band had solidified their presence in the progressive rock scene, exploring deeper thematic content and more intricate musical arrangements. This album continued to build on their established sound while reflecting a growing maturity in their songwriting.
Stylistic neighbors: Opeth· Dream Theater· Steven Wilson