You're Gone
Marillion · 2004
12 min · 3 tracks · progressive rock
Polished progressive rock opens into a spacious meditation on absence before live intimacy and a remix alter the perspective.
Top tracks — play these first
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You’re Gone (single mix) — The shortened mix brings the Marbles song’s sense of loss into focus through Hogarth’s restrained vocal and a sweeping chorus.
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Faith (live) — A live performance of a song from Anoraknophobia connects the single to Marillion’s preceding album and offers a less studio-polished counterpoint to the lead track.
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When I Meet God (Spirited Away remix) — This reworking returns to another Anoraknophobia song, placing its questioning lyrics in a different production setting from the original.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
The single blends emotional depth with accessible melodies but lacks strong cohesion due to its varied bonus tracks.
What we noticed
- The lead track features a gradual build-up, starting with soft instrumentation that swells into a powerful chorus.
- The live track 'Faith' showcases the band's performance energy, contrasting with the polished studio sound of the main single.
- The remix of 'When I Meet God' incorporates electronic elements that diverge from the original's acoustic feel.
- Composition 25% of the score
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6/10
- Craft 20% of the score
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7/10
- Durability 25% of the score
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5/10
- Distinctiveness 18% of the score
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6/10
- Sequencing 12% of the score
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4/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Known within its scene. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Where this album fits
- In the catalog
- Breakthrough — You're Gone marked a shift to mainstream appeal, reaching number 5 on the UK chart.
- Themes
- digital-age independence· post-commercial reflection· introspective melancholy
- Career context
- This three-track single preceded Marillion’s 2004 album Marbles, the band’s 13th studio album and their first after Anoraknophobia in 2001. By then, singer Steve Hogarth had fronted the band since 1989, and Marillion were working independently with substantial support from their listeners.
- Stylistic neighbors
- Genesis· Yes· Porcupine Tree
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 You’re Gone (single mix) 4:05
- 2 Faith (live) 4:00
- 3 When I Meet God (Spirited Away remix) 4:44
What to play next
Marbles
2004
Continues the emotional depth and melodic exploration found in You're Gone.
Curtain Call
2004
Sets the stage for the reflective themes present in You're Gone.
If this landed
Records by other artists that run on the same instinct.
Fear of a Blank Planet
Porcupine Tree
Shares introspective lyrics and a moody soundscape, reflecting on modern isolation and anxiety.
Weather Systems
Anathema
Explores emotional landscapes with lush instrumentation and themes of introspection and human experience.
In Rainbows
Radiohead
Combines art rock elements with introspective melodies, focusing on personal and societal reflections in the digital age.
Reference: Wikipedia · MusicBrainz · Wikidata
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