A Clockwork Orange: Wendy Carlos's Complete Original Score
Wendy Carlos · 1972
46 min · 10 tracks · electronic
A pioneering synthesis of classical motifs and electronic soundscapes, echoing dystopian themes with a futuristic edge.
Is this for you?
Good fit if you like
- wave-like dynamic pacing shifts
- immersive soundscapes exploration
- evocative themes of dystopia
- thoughtful listening in sequence
- short interludes with rich context
Maybe skip if you want
- desire for immediate gratification
- preference for standalone tracks
Where this album fits
- Career context
- When 'A Clockwork Orange: Wendy Carlos's Complete Original Score' was released in 1972, Carlos was already recognized for her innovative work on electronic music, following the success of her groundbreaking album 'Switched-On Bach' in 1968. This album marked her continued collaboration with director Stanley Kubrick, solidifying her position as a leading figure in film scoring and electronic music.
- Stylistic neighbors
- Isao Tomita· Klaus Schulze· Jean-Michel Jarre
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Timesteps 13:47
- 2 March from A Clockwork Orange (Beethoven: Ninth Symphony: Fourth Movement, abridged) 7:02
- 3 Title Music from A Clockwork Orange (from Purcell’s “Music for the Funeral of Queen Mary”) 2:23
- 4 La gazza ladra (The Thieving Magpie, abridged) 6:00
- 5 Theme from A Clockwork Orange (Beethoviana) 1:49
- 6 Ninth Symphony: Second Movement (Scherzo) 4:53
- 7 William Tell Overture (abridged) 1:18
- 8 Orange Minuet 2:35
- 9 Biblical Daydreams 2:06
- 10 Country Lane 4:56
Reference: Wikipedia · MusicBrainz · Wikidata
Sync your library
Everything you track here works immediately — no account needed. Create one when you want to sync across devices.