Cada vez que nos miramos
Paco de Lucía · 1970
37 min · 12 tracks · classical music
A vibrant blend of traditional flamenco with intricate guitar work that showcases both passion and technical mastery.
Top tracks — play these first
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Cada Vez Que Nos Miramos — The title track encapsulates the essence of flamenco with its emotive guitar melodies and heartfelt rhythm, showcasing de Lucía's virtuosic skill.
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Y No Llegastes A Quererme — This track stands out for its poignant lyricism and haunting guitar lines, demonstrating the deep emotional resonance that characterizes de Lucía's work.
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Soy Grande Por Ser Gitano — Here, the fusion of lively bulerías rhythms with powerful vocals highlights cultural pride and community, a recurring theme throughout de Lucía’s discography.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalThe album's intricate guitar work and diverse flamenco styles establish it as a strong debut in the genre.
What we noticed
- The album features intricate guitar solos that often alternate between rapid fingerpicking and slower, more melodic passages.
- Each track showcases a different flamenco style, with distinct rhythms and techniques that highlight the versatility of the guitar.
- The arrangements include traditional flamenco elements, such as handclaps and foot stomps, which enhance the rhythmic complexity of the pieces.
- Composition 25% of the score
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8/10
- Craft 20% of the score
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9/10
- Durability 25% of the score
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7/10
- Distinctiveness 18% of the score
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8/10
- Sequencing 12% of the score
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6/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- dynamic exploration of flamenco styles
- wave-like pacing that captivates
- intricate melodies for deep listening
- vibrant energy for social gatherings
Maybe skip if you
- prefer instant gratification tracks
- seek uniform sound throughout
Where this album fits
- Career context
- Cada vez que nos miramos is Paco de Lucía's debut album, marking the beginning of his influential career in flamenco music. Released in 1970, it established him as a prominent guitarist and composer, setting the stage for his future innovations in the genre.
- Stylistic neighbors
- Vicente Amigo· Tomatito· Al Di Meola
Moments worth listening for
Where the writing does something specific.
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A Los Santos Del Cielo
The song features an intense shift where the narrative voice directly invokes spiritual figures during a climactic moment.
This direct address creates a sense of urgency and deep connection that elevates the song beyond mere storytelling.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Cada Vez Que Nos Miramos (Soleá) 3:47
- 2 Y No Llegastes A Quererme (Granaína) 2:58
- 3 Ante El Altar Me Jurastes (Tangos) 3:52
- 4 Moral (Fandangos) 2:17
- 5 Le Andan Hablando (Bulerías) 4:09
- 6 Vas A Conseguir Tres Cosas (Fandangos de Huelva) 1:57
- 7 Jardín de Belleza (Romera) 2:33
- 8 Sube Al Enganche (Taranto) 2:20
- 9 Donde Una Ermita Poner (Fandangos) 2:32
- 10 A Los Santos Del Cielo (Seguiriyas) 4:08
- 11 Soy Grande Por Ser Gitano (Bulerías) 3:18
- 12 Al Gurugú Guruguero (Tientos) 3:19
Reference: Wikipedia · MusicBrainz · Wikidata
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