What makes Christie Malry's Own Double Entry OST by Luke Haines notable?

The soundtrack gained attention for its unique approach to film scoring, marrying narrative elements with Haines' characteristic wit. It received positive reviews in notable publications such as The Guardian, which recognized its inventive sound palette and thematic depth, contributing to discussions around the artistic value of film soundtracks in the early 2000s. Released in 2001, Christie Malry's Own Double Entry OST marked a transitional phase for Luke Haines, following his work with the band Black Box Recorder. This album further established his reputation as a solo artist who explores themes of irony and social critique through music. It arrived shortly after Haines' artistic pivot from traditional rock into more experimental territory.

Who is Christie Malry's Own Double Entry OST for?

Christie Malry's Own Double Entry OST works well if you're into playful exploration of modern absurdity, sardonic commentary on daily life and short tracks for quick engagement.

How many songs are on Christie Malry's Own Double Entry OST?

Christie Malry's Own Double Entry OST has 12 tracks, running approximately 45 minutes.

Christie Malry's Own Double Entry OST

Luke Haines · 2001

45 min · 12 tracks · alternative rock

A playful yet sardonic blend of alternative rock and electronica, reflecting the absurdity of modern life through eclectic soundscapes.

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Top tracks — play these first

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Discomania — This opening track sets the tone with its infectious beats and satirical lyrics, introducing listeners to the album's exploration of hedonism and disillusionment.
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How to Hate the Working Classes — This track exemplifies Haines’ sharp social commentary, using clever wordplay to critique class dynamics while blending catchy melodies with biting irony.
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Art Will Save the World — With its anthemic chorus and playful instrumentation, this song encapsulates the album's overarching theme of art as both a savior and a source of absurdity.
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I Love the Sound of Breaking Glass — This extended track showcases Haines' ability to merge emotional resonance with experimental sounds, presenting a deeper reflection on destruction and renewal.

Is this for you?

Good fit if you like

playful exploration of modern absurdity
sardonic commentary on daily life
short tracks for quick engagement
varied pacing keeps attention sharp
catchy hooks for sing-alongs

Maybe skip if you

seekers of deep introspection
prefer lengthy immersive experiences

Where this album fits

Career context: Released in 2001, Christie Malry's Own Double Entry OST marked a transitional phase for Luke Haines, following his work with the band Black Box Recorder. This album further established his reputation as a solo artist who explores themes of irony and social critique through music. It arrived shortly after Haines' artistic pivot from traditional rock into more experimental territory.
Stylistic neighbors: Pulp· The Auteurs· Suede

Tracklist

Best experienced from track one — press play and let it unfold.

1 Discomania 3:06
2 In the Bleak Midwinter 3:28
3 How to Hate the Working Classes 3:35
4 The Ledger 2:17
5 Bernie’s Funeral / Auto Asphixiation 2:18
6 Discomaniax 4:31
7 Alchemy 2:28
8 Art Will Save the World 1:58
9 I Love the Sound of Breaking Glass 7:03
10 England, Scotland, and Wales 3:30
11 Celestial Discomania 4:26
12 Essexmania 6:56

What to play next

Listen next

Das Capital

2003

Go back to

The Oliver Twist Manifesto

2001

Full Luke Haines discography Artists like Luke Haines

alternative rock electronica

Reference: Wikipedia · MusicBrainz · Wikidata