Cyanide in the Beefcake
Johannes Kerkorrel · 1994
54 min · 11 tracks
A vibrant blend of rock, folk, and South African musical traditions, infused with sharp social commentary and playful irreverence.
Top tracks — play these first
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Te veel vir een witvrou in Afrika — This track stands out for its provocative critique of race and gender dynamics in post-apartheid South Africa, merging catchy melodies with biting commentary.
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Waiting for Godot — The song uses absurdist imagery to explore themes of existentialism and disillusionment, mirroring the societal uncertainties of the time.
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Elektriese stoel — Combining humor with a sense of urgency, this track reflects on personal and collective struggles within a changing society, showcasing Kerkorrel's unique lyrical style.
Moments worth listening for
Where the writing does something specific.
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Te veel vir een witvrou in Afrika
A stark statement about entitlement shifts from historical privilege to present challenges faced by white women in Africa.
This moment confronts listeners with discomforting truths about social change, using pointed language that disrupts traditional narratives surrounding race and gender.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Daar is geen 3:35
- 2 Absoluut goed 3:45
- 3 Speel my pop 4:35
- 4 Dirty Business 3:41
- 5 Elektriese stoel 5:11
- 6 Te veel vir een witvrou in Afrika 4:50
- 7 Awuwa (Dansen) 5:31
- 8 River of Love 7:02
- 9 Mozambique 5:18
- 10 Alles raak beter binne die droom 6:15
- 11 Waiting for Godot 5:02
Reference: Wikipedia · MusicBrainz · Wikidata
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