Miles Ahead
Miles Davis · 1957
52 min · 14 tracks · jazz fusion · bebop · hard bop
A lush orchestral landscape intertwines with Miles Davis's innovative trumpet melodies, creating a cinematic jazz experience.
Is this for you?
Good fit if you like
- lush orchestral soundscapes for relaxation
- cinematic moments for reflective evenings
- melodic exploration with emotional depth
- short tracks for focused listening
- varied takes for detailed comparisons
Maybe skip if you want
- seeking high-energy party tracks
- prefer straightforward structures
Where this album fits
- Themes
- cinematic jazz landscapes· orchestral innovation· Duke Ellington tribute
- Career context
- Released in 1957, 'Miles Ahead' marks a significant moment in Miles Davis's career as his first collaboration with arranger Gil Evans. This album follows the success of 'Birth of the Cool' and showcases Davis’s transition into more orchestrated jazz forms, setting the stage for his future explorations in modal jazz.
- Stylistic neighbors
- John Coltrane· Herbie Hancock· Wayne Shorter
- Sounds like this from elsewhere
-
Out of the Cool by Gil Evans — Shares lush orchestration and innovative arrangements, creating a similar cinematic jazz experience.Mingus Ah Um by Charles Mingus — Combines complex orchestration with emotional depth, echoing the cinematic qualities of 'Miles Ahead'.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Springsville 3:27
- 2 The Maids of Cadiz 3:53
- 3 The Duke 3:34
- 4 My Ship 4:27
- 5 Miles Ahead 3:29
- 6 Blues for Pablo 5:18
- 7 New Rhumba 4:36
- 8 The Meaning of the Blues 2:48
- 9 Lament 2:14
- 10 I Don’t Wanna Be Kissed (by Anyone but You) 3:11
- 11 Springsville (remake take 7) 3:16
- 12 Blues for Pablo (take 1) 3:32
- 13 Medley: The Meaning of the Blues / Lament (rehearsal) 5:09
- 14 I Don’t Wanna Be Kissed (by Anyone but You) (alternate take) 3:11
Reference: Wikipedia · MusicBrainz · Wikidata
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