Miles in the Sky
Miles Davis · 1968
72 min · 6 tracks · jazz fusion · bebop · hard bop
A seamless blend of modal jazz and avant-garde elements creates an expansive, exploratory soundscape.
Is this for you?
Good fit if you like
- expansive soundscapes to explore
- gradual build towards climax
- intricate layers rewarding patience
- immersive listening for focus
- thoughtful ambiance for reflection
Maybe skip if you want
- seeking immediate gratification
- prefer short, standalone tracks
Where this album fits
- Themes
- electric experimentation· modal jazz evolution· avant-garde improvisation
- Career context
- Released in September 1968, 'Miles in the Sky' marked Miles Davis's transition into jazz fusion. It followed the critically acclaimed 'Sorcerer' (1967) and showcased his evolving style as he began incorporating electric instruments and more complex arrangements into jazz.
- Stylistic neighbors
- John Coltrane· Herbie Hancock· Wayne Shorter
- Sounds like this from elsewhere
-
Head Hunters by Herbie Hancock — Explores electric jazz-funk with complex arrangements, echoing the adventurous spirit of modal experimentation.A Love Supreme by John Coltrane — Shares a deep spiritual quest through improvisation and modal exploration, akin to Davis's evolving sound.Return to Forever by Chick Corea — Combines jazz fusion with electric elements and intricate compositions, resonating with Miles's innovative approach.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Stuff 17:01
- 2 Paraphernalia 12:38
- 3 Black Comedy 7:26
- 4 Country Son 13:52
- 5 Black Comedy (alternate take) 6:26
- 6 Country Son (alternate take) 14:38
Reference: Wikipedia · MusicBrainz · Wikidata
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