Nefertiti
Miles Davis · 1967
66 min · 10 tracks · jazz
A luminous blend of modal jazz and intricate improvisation, Nefertiti captures an ethereal quality with its haunting melodies and fluid rhythms.
Top tracks — play these first
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Nefertiti Start here — The title track features a haunting theme that repeats throughout, allowing for deep exploration of melody and rhythm by each band member.
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Fall — This piece stands out for its emotional depth and the interplay between instruments, highlighting the subtlety of Davis's ensemble approach.
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Madness — Characterized by its intense energy and complex structure, this track exemplifies the innovative spirit of Davis's band during this period.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalNefertiti showcases innovative modal jazz with intricate rhythms and strong melodic lines, solidifying its distinctiveness.
What we noticed
- The first track, 'Nefertiti', features a slow, haunting melody that sets a contemplative tone for the album.
- Each of the first six tracks is built around modal improvisation, allowing for extended solos and intricate interplay between instruments.
- Composition 25% of the score
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8/10
- Craft 20% of the score
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9/10
- Durability 25% of the score
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8/10
- Distinctiveness 18% of the score
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9/10
- Sequencing 12% of the score
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7/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- haunting melodies for deep reflection
- intricate rhythms for attentive listening
- extended tracks with evolving themes
- immersive soundscapes for late nights
Maybe skip if you
- prefer quick, catchy tunes
- avoid lengthy, experimental pieces
Where this album fits
- In the catalog
- Critical Peak — Showcases Davis's innovative modal jazz, highly influential in shaping modern jazz.
- Themes
- modal jazz exploration· avant-garde improvisation
- Career context
- Nefertiti was released in 1967, marking a significant phase for Miles Davis as he further explored modal jazz after the critical success of his earlier album, Kind of Blue. This record came just before the groundbreaking Bitches Brew, showcasing Davis's commitment to innovation and his transition into jazz fusion.
- Stylistic neighbors
- John Coltrane· Herbie Hancock· Wayne Shorter
Tracklist
- 1 Nefertiti Start here 7:54
- 2 Fall 6:38
- 3 Hand Jive 8:57
- 4 Madness 7:33
- 5 Riot 3:05
- 6 Pinocchio 5:08
- 7 Hand Jive (first alternate take) 6:51
- 8 Hand Jive (second alternate take) 8:17
- 9 Madness (alternate take) 6:45
- 10 Pinocchio (alternate take) 5:09
If this landed
Records by other artists that run on the same instinct.
A Love Supreme
John Coltrane
Shares modal exploration and spiritual intensity, pushing the boundaries of jazz improvisation.
Speak Like a Child
Herbie Hancock
Combines intricate arrangements with modal harmonies, emphasizing collective musical dialogue.
Speak No Evil
Wayne Shorter
Features complex melodies and avant-garde structures, reflecting deep improvisational interplay.
Reference: Wikipedia · MusicBrainz · Wikidata
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