What makes Nefertiti by Miles Davis notable?

Nefertiti is significant for its exploration of modal jazz and has been influential in shaping the sound of modern jazz ensembles. The album received critical acclaim upon release, being praised in major publications like DownBeat, and has since been recognized as an essential part of Davis's discography, often cited in discussions about the evolution of jazz music. By the time 'Nefertiti' was released in 1967, Miles Davis was at the forefront of the jazz scene, having transitioned from his earlier hard bop style into a more experimental modal jazz phase. This album followed his groundbreaking work on 'In a Silent Way' and helped solidify his status as a leading innovator in jazz, emphasizing collective improvisation and subtle interplay among musicians.

Who is Nefertiti for?

Nefertiti works well if you're into haunting melodies for deep reflection, intricate rhythms for attentive listening and extended tracks with evolving themes.

How many songs are on Nefertiti?

Nefertiti has 10 tracks, running approximately 66 minutes.

Nefertiti

Miles Davis · 1967

66 min · 10 tracks · jazz fusion · bebop · hard bop

A haunting blend of modal melodies and intricate rhythms, showcasing Davis's innovative approach to jazz.

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Is this for you?

Good fit if you like

haunting melodies for deep reflection
intricate rhythms for attentive listening
extended tracks with evolving themes
immersive soundscapes for late nights

Maybe skip if you want

prefer quick, catchy tunes
avoid lengthy, experimental pieces

Where this album fits

Themes: modal jazz exploration· avant-garde improvisation
Career context: By the time 'Nefertiti' was released in 1967, Miles Davis was at the forefront of the jazz scene, having transitioned from his earlier hard bop style into a more experimental modal jazz phase. This album followed his groundbreaking work on 'In a Silent Way' and helped solidify his status as a leading innovator in jazz, emphasizing collective improvisation and subtle interplay among musicians.
Stylistic neighbors: John Coltrane· Herbie Hancock· Wayne Shorter
Sounds like this from elsewhere: A Love Supreme by John Coltrane — Shares modal exploration and spiritual intensity, pushing the boundaries of jazz improvisation.

Speak Like a Child by Herbie Hancock — Combines intricate arrangements with modal harmonies, emphasizing collective musical dialogue.

Speak No Evil by Wayne Shorter — Features complex melodies and avant-garde structures, reflecting deep improvisational interplay.