What makes Miles Smiles by Miles Davis notable?

'Miles Smiles' is notable for its critical reception, often regarded as a significant work in the development of modal jazz. The album exemplified Davis's forward-thinking approach and influenced countless musicians within the jazz genre and beyond, contributing to the evolution of jazz fusion. Released in 1967, 'Miles Smiles' is Miles Davis's follow-up to the groundbreaking 'Sorcerer,' marking a pivotal moment in his career as he shifted toward more experimental forms of jazz. At this point, Davis was solidifying his reputation as a leading innovator in jazz, surrounded by a stellar lineup including Wayne Shorter and Herbie Hancock.

Who is Miles Smiles for?

Miles Smiles works well if you're into steady progression through improvisation, thoughtful exploration of soundscapes and ideal for focused listening sessions.

How many songs are on Miles Smiles?

Miles Smiles has 6 tracks, running approximately 41 minutes.

Miles Smiles

Miles Davis · 1967

41 min · 6 tracks · jazz fusion · bebop · hard bop

A complex interplay of modal structures and avant-garde improvisation that pushes jazz boundaries.

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Is this for you?

Good fit if you like

steady progression through improvisation
thoughtful exploration of soundscapes
ideal for focused listening sessions
intricate interplay of musicianship

Maybe skip if you want

prefer straightforward, catchy tunes
seek fast-paced, energetic music

Where this album fits

Themes: avant-garde improvisation· modal exploration· 1960s jazz innovation
Career context: Released in 1967, 'Miles Smiles' is Miles Davis's follow-up to the groundbreaking 'Sorcerer,' marking a pivotal moment in his career as he shifted toward more experimental forms of jazz. At this point, Davis was solidifying his reputation as a leading innovator in jazz, surrounded by a stellar lineup including Wayne Shorter and Herbie Hancock.
Stylistic neighbors: John Coltrane· Herbie Hancock· Wayne Shorter
Sounds like this from elsewhere: A Love Supreme by John Coltrane — Explores modal structures and spiritual themes with intense improvisation, similar to Davis's avant-garde approach.

Speak Like a Child by Herbie Hancock — Features complex arrangements and modal exploration, blending jazz innovation with a unique sonic palette.

Speak No Evil by Wayne Shorter — Shares the same experimental spirit and intricate compositions, pushing the boundaries of jazz in the '60s.