Is New Mann at Newport a good place to start with Herbie Mann?

Yes, New Mann at Newport is recommended as a starting point for new Herbie Mann listeners. A vibrant fusion of jazz and world music, driven by rhythmic complexity and melodic improvisation. Released in 1967, New Mann at Newport is Herbie Mann's follow-up to the commercially successful album, Memphis Underground. At this point in his career, Mann was establishing himself as a prominent figure in the jazz scene, embracing bossa nova influences and expanding his musical palette with live recordings that showcased his innovative approach.

Who is New Mann at Newport for?

New Mann at Newport works well if you're into long, flowing improvisational pieces, evocative moods for warm evenings and detailed explorations with rich textures.

How many songs are on New Mann at Newport?

New Mann at Newport has 5 tracks, running approximately 41 minutes.

New Mann at Newport

Herbie Mann · 1967

41 min · 5 tracks · jazz

A vibrant fusion of jazz and world music, driven by rhythmic complexity and melodic improvisation.

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Top tracks — play these first

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Project S Start here — This opening track sets the tone with its intricate rhythms and dynamic interplay between instruments, highlighting Mann's skillful flute work amidst lush arrangements.
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Scratch — With its hypnotic groove and engaging improvisations, this track showcases Mann's ability to meld jazz and funk elements seamlessly while creating an infectious energy.
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Summertime — Mann's rendition of this classic emphasizes his unique interpretation, combining smooth melodies with a bossa nova flair that breathes new life into the familiar standard.

Elevation

Our rating, out of 100 — and why.

AI-generated from five scored dimensions. An opinion, not a measurement.

Instrumental

58 /100

Treeline

Higher than 49% of albums we've rated

The album displays strong craftsmanship and a distinctive sound but lacks broader cultural influence.

What we noticed

The album features a consistent use of flute as the lead instrument, creating a distinct sound throughout.
The arrangements often include call-and-response patterns between the flute and the rhythm section, enhancing the interactive quality of the performance.

Composition 25% of the score: 7/10
Craft 20% of the score: 8/10
Durability 25% of the score: 6/10
Distinctiveness 18% of the score: 7/10
Sequencing 12% of the score: 5/10

Influence 2/10

Little footprint beyond its audience. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.

Is this for you?

Good fit if you like

long, flowing improvisational pieces
evocative moods for warm evenings
detailed explorations with rich textures
dynamic shifts in rhythm and

Maybe skip if you

prefer fast-paced, short tracks
want straightforward, catchy melodies

Where this album fits

In the catalog: Breakthrough — This album marked a significant moment in Mann's career, gaining wider recognition.
Themes: Newport jazz festival· bossa nova rhythms· live improvisation energy
Career context: Released in 1967, New Mann at Newport is Herbie Mann's follow-up to the commercially successful album, Memphis Underground. At this point in his career, Mann was establishing himself as a prominent figure in the jazz scene, embracing bossa nova influences and expanding his musical palette with live recordings that showcased his innovative approach.
Stylistic neighbors: Chick Corea· Stan Getz· Weather Report