Released 60 years ago
New Thing at Newport
John Coltrane · 1966
61 min · 7 tracks · jazz
A vibrant tapestry of improvisation that intertwines complex rhythms with soulful melodies, showcasing Coltrane's relentless exploration of jazz boundaries.
Top tracks — play these first
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My Favorite Things — Coltrane's interpretation transforms this familiar tune into an expansive exploration of modal jazz, featuring hypnotic repetition and spiritual depth that captivated audiences.
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One Down, One Up Start here — This track showcases Coltrane's intricate interplay with his bandmates, creating a complex dialogue that highlights his innovative approach to rhythm and structure.
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Rufus (Swung His Face at Last to the Wind Then His Neck Snapped) — The piece is an embodiment of Coltrane's ability to fuse emotional intensity with avant-garde elements, pushing improvisational boundaries that resonate deeply.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalThe album's bold improvisation and unique structures make it a standout in avant-garde jazz.
What we noticed
- The album features extended improvisational sections, with several tracks exceeding ten minutes, allowing for deep exploration of themes.
- The use of unconventional song structures is prevalent, with some tracks lacking a traditional melody or form, emphasizing collective improvisation.
- Composition 25% of the score
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8/10
- Craft 20% of the score
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7/10
- Durability 25% of the score
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8/10
- Distinctiveness 18% of the score
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9/10
- Sequencing 12% of the score
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6/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Is this for you?
Good fit if you like
- long, immersive listening sessions
- dynamic emotional journeys
- layered, dense sonic textures
- gradual builds and payoffs
Where this album fits
- In the catalog
- Experimental — Represents a departure into avant-garde jazz, reflecting social change themes.
- Themes
- avant-garde rebellion· social justice narratives· Newport jazz festival spirit
- Career context
- By the time 'New Thing at Newport' was released in February 1966, John Coltrane was already a pivotal figure in the jazz world, following his acclaimed album 'A Love Supreme' from 1965. This album captures Coltrane during a period of intense creativity and experimentation, as he pushed the limits of free jazz and modal forms, solidifying his status as an innovator.
- Stylistic neighbors
- Pharoah Sanders· Ornette Coleman· Albert Ayler
Tracklist
- 1 One Down, One Up Start here 13:53
- 2 My Favorite Things 14:42
- 3 Rufus (Swung His Face at Last to the Wind Then His Neck Snapped) 5:12
- 4 Le Matin Des Noire 7:59
- 5 Skag 3:09
- 6 Call Me by My Rightful Name 6:39
- 7 Gingerbread, Gingerbread Boy 10:19
If this landed
Records by other artists that run on the same instinct.
The Shape of Jazz to Come
Ornette Coleman
Shares a similar avant-garde spirit and improvisational freedom in jazz expression.
The Heliocentric Worlds of Sun Ra, Volume One
Sun Ra
Explores cosmic themes with experimental structures, paralleling Shepp's boldness in form.
Spiritual Unity
Albert Ayler
Emphasizes emotional intensity and social commentary through free jazz improvisation.
Reference: Wikipedia · MusicBrainz · Wikidata
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