Olu Iwa
Cecil Taylor · 1987
75 min · 2 tracks · jazz
A sprawling, improvisational exploration that intertwines complex rhythms with vibrant, expressive piano melodies.
Top tracks — play these first
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B Ee Ba Nganga Ban’a Eee! — The lengthy track captures Taylor's improvisational mastery, allowing listeners to experience the full depth of his musical language over nearly an hour of dynamic expression.
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Olu Iwa (Lord of Character) — This piece serves as a reflective counterpoint to the opener, featuring intricate piano lines that delve into themes of identity and character through sound.
Elevation
Our rating, out of 100 — and why.
AI-generated from five scored dimensions. An opinion, not a measurement.
InstrumentalThe album's ambitious structure and improvisational depth highlight Taylor's unique approach to jazz.
What we noticed
- The album consists of two lengthy tracks, each featuring extended improvisational sections that explore intricate piano lines and complex rhythms.
- The second track features a gradual build-up of intensity, incorporating varied tempo changes and rhythmic shifts that challenge conventional jazz structures.
- Composition 25% of the score
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8/10
- Craft 20% of the score
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9/10
- Durability 25% of the score
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7/10
- Distinctiveness 18% of the score
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9/10
- Sequencing 12% of the score
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6/10
the writing — melody, harmony, structure, lyrics
production, performance, arrangement
whether it rewards returning to it
whether it sounds like itself
running order, pacing, length
Significant within its genre. Reported but not counted — how far a record travelled describes its reception rather than the record, and a newer release has had less time to travel than an older one.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 B Ee Ba Nganga Ban’a Eee! 48:21
- 2 Olu Iwa (Lord of Character) 27:09
Reference: Wikipedia · MusicBrainz · Wikidata
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