Quartet (Birmingham) 1985
Anthony Braxton · 1991
92 min · 3 tracks · jazz
A sprawling exploration of avant-garde jazz, blending intricate compositions with a free-flowing improvisational spirit.
Top tracks — play these first
-
→
Composition 69M (+10 + 33 + 96)/Composition 110A ( + 96 + 108B)/Composition 60 (+ 96 +108C)/Composition 85 (+ 30 + 108D) — This lengthy track showcases Braxton's mastery of intricate compositions while allowing ample room for improvisation, demonstrating the fluid interplay between structured and freeform elements.
-
→
Composition 105B (+ 5 + 32 + 96)/Composition 87 (+108C)/Composition 23J/Composition 69H (+ 31 + 96) — This piece highlights the ensemble's collaborative spirit, featuring dynamic exchanges among musicians that embody the essence of collective improvisation within structured frameworks.
-
→
Encore: Composition 40(O) — The encore serves as a concise yet powerful conclusion to the album, encapsulating themes explored throughout while offering a moment of reflection on the performance.
Where this album fits
- In the catalog
- Experimental — It showcases a unique blend of structured composition and improvisation, diverging from mainstream jazz.
- Themes
- Birmingham jazz scene· avant-garde improvisation· collective musical dialogue
- Career context
- Released in 1991, Quartet (Birmingham) 1985 captures Anthony Braxton during a prolific phase of his career, following the critically acclaimed album Ifland (1989). At this point, Braxton had established himself as a groundbreaking figure in avant-garde jazz, known for his innovative compositional techniques and complex musical structures.
- Stylistic neighbors
- Ornette Coleman· Sun Ra· Henry Threadgill
Tracklist
Best experienced from track one — press play and let it unfold.
Disc 1
- 1 Composition 69M (+10 + 33 + 96)/Composition 110A ( + 96 + 108B)/Composition 60 (+ 96 +108C)/Composition 85 (+ 30 + 108D) 45:10
Disc 2
- 1 Composition 105B (+ 5 + 32 + 96)/Composition 87 (+108C)/Composition 23J/Composition 69H (+ 31 + 96) 44:26
- 2 Encore: Composition 40(O) 2:45
If this landed
Records by other artists that run on the same instinct.
Dancing in Your Head
Ornette Coleman
Explores free improvisation and collective interplay, echoing Braxton's avant-garde ethos.
The Magic City
Sun Ra
Merges complex compositions with a cosmic vision, reflecting a similar improvisational spirit.
Too Much Sugar for a Dime
Henry Threadgill
Features intricate arrangements and a focus on collective dialogue, akin to Braxton's approach.
Reference: Wikipedia · MusicBrainz · Wikidata
Sync your library
Everything you track here works immediately — no account needed. Create one when you want to sync across devices.