The Intercontinentals
Bill Frisell · 2003
70 min · 14 tracks · post-bop · progressive jazz
A vibrant tapestry of global sounds woven with Frisell's distinctive guitar work and eclectic rhythms.
Why this album works
This album is significant for its experimental fusion of jazz with international sounds, reflecting a growing trend in early 2000s music that sought to break down cultural barriers. It received positive reviews from critics, solidifying Frisell’s reputation as a boundary-pushing musician in the contemporary jazz scene.
- Best for
- dynamic journey with emotional peaks vibrant textures for headphone listening exploratory soundscapes for curious minds
- Context
- When 'The Intercontinentals' was released in 2003, Bill Frisell was already a renowned figure in jazz, known for his innovative blending of genres. This album followed the critically acclaimed 'Ghost Town' (2000) and showcased Frisell's continued evolution as an artist embracing world music influences.
- Stylistic neighbors
- Prince· Christina Aguilera· Madonna· Ricky Martin· Cher· No Doubt· Harry Nilsson· Alanis Morissette
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Boubacar Standout 6:13
- 2 Good Old People 5:26
- 3 For Christos 6:17
- 4 Baba Drame 5:20
- 5 Listen 6:47
- 6 Anywhere Road 1:52
- 7 Procissão 6:49
- 8 The Young Monk 2:23
- 9 We Are Everywhere Standout 7:09
- 10 Yála 5:49
- 11 Perritos 4:34
- 12 Magic Standout 5:55
- 13 Eli 4:15
- 14 Remember 1:38
Reference: Wikipedia · MusicBrainz · Wikidata
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