The Willies
Bill Frisell · 2002
66 min · 16 tracks · post-bop · progressive jazz
A whimsical blend of American roots music and avant-garde jazz, filled with playful guitar textures.
Why this album works
Critically well-received, 'The Willies' showcases Frisell's ability to meld traditional folk songs with jazz improvisation, influencing future artists in both genres. The album's unique sound has earned it a place in conversations about the evolution of contemporary jazz and roots music, reflecting Frisell's innovative approach and artistry.
- Best for
- playful guitar textures throughout wave-like pacing with peaks whimsical late-night gatherings
- Context
- By 2002, Bill Frisell was establishing himself as a significant figure in the jazz world, following his acclaimed album 'Ghost Town' released in 2000. 'The Willies' marks his continued exploration of Americana influences while showcasing his distinctive guitar style and compositional voice, solidifying his role as a bridge between genres.
- Stylistic neighbors
- Prince· Christina Aguilera· Madonna· Ricky Martin· Cher· No Doubt· Harry Nilsson· Alanis Morissette
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 Sittin’ on Top of the World Standout 4:01
- 2 Cluck Old Hen 3:55
- 3 Everybody Loves Everybody Standout 3:43
- 4 I Want to Go Home 4:16
- 5 Single Girl, Married Girl 3:57
- 6 Get Along 3:23
- 7 John Hardy Was a Desperate Little Man 5:18
- 8 Sugar Baby 3:52
- 9 Blackberry Blossom 4:20
- 10 If I Could I Surely Would 6:48
- 11 Cluck Old Hen (reprise) 1:50
- 12 Cold, Cold Heart 2:27
- 13 I Know You Care 3:14
- 14 Goodnight Irene Standout 3:55
- 15 Big Shoe 4:51
- 16 The Willies 6:25
Reference: Wikipedia · MusicBrainz · Wikidata
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