Released 60 years ago
Four & More
Miles Davis · 1966
53 min · 8 tracks · jazz fusion · bebop · hard bop
A vibrant amalgamation of modal jazz and hard bop, showcasing Davis's innovative trumpet prowess and dynamic ensemble interplay.
Is this for you?
Good fit if you like
- dynamic ensemble interplay throughout
- extended tracks for deep engagement
- vibrant energy for focused listening
- cathartic moments of improvisation
Maybe skip if you want
- prefer short, standalone tracks
- seek instant gratification
Where this album fits
- Themes
- New York concert energy· modal jazz exploration· live improvisational dynamics
- Career context
- By the release of *Four & More* in January 1966, Miles Davis had established himself as a leading figure in jazz following the groundbreaking *Kind of Blue*. This album captures a live performance from the 1966 New York concert at the Philharmonic Hall, showcasing his evolving sound and approach during a period marked by significant experimentation with modal jazz and electric instrumentation.
- Stylistic neighbors
- John Coltrane· Herbie Hancock· Wayne Shorter
- Sounds like this from elsewhere
-
Head Hunters by Herbie Hancock — Explores fusion with electric instrumentation and improvisation, echoing Davis's dynamic live energy.A Love Supreme by John Coltrane — Shares deep modal exploration and spiritual intensity, reflecting similar improvisational depth.Return to Forever by Chick Corea — Combines jazz fusion with vibrant ensemble interplay, parallel to the energetic atmosphere of Davis's work.
Tracklist
Best experienced from track one — press play and let it unfold.
- 1 So What 9:10
- 2 Walkin’ 8:08
- 3 Joshua 9:32
- 4 Go‐Go (The Theme) + Announcement 1:41
- 5 Four 6:20
- 6 Seven Steps to Heaven 7:45
- 7 There Is No Greater Love 10:02
- 8 Go‐Go (The Theme) + Announcement 1:21
Reference: Wikipedia · MusicBrainz · Wikidata
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