Four & More cover

Released 60 years ago

Four & More

Miles Davis · 1966

53 min · 8 tracks · jazz fusion · bebop · hard bop

A vibrant amalgamation of modal jazz and hard bop, showcasing Davis's innovative trumpet prowess and dynamic ensemble interplay.

Is this for you?

Good fit if you like

  • dynamic ensemble interplay throughout
  • extended tracks for deep engagement
  • vibrant energy for focused listening
  • cathartic moments of improvisation

Maybe skip if you want

  • prefer short, standalone tracks
  • seek instant gratification

Where this album fits

Themes
New York concert energy· modal jazz exploration· live improvisational dynamics
Career context
By the release of *Four & More* in January 1966, Miles Davis had established himself as a leading figure in jazz following the groundbreaking *Kind of Blue*. This album captures a live performance from the 1966 New York concert at the Philharmonic Hall, showcasing his evolving sound and approach during a period marked by significant experimentation with modal jazz and electric instrumentation.
Stylistic neighbors
John Coltrane· Herbie Hancock· Wayne Shorter
Sounds like this from elsewhere
Head Hunters by Herbie Hancock — Explores fusion with electric instrumentation and improvisation, echoing Davis's dynamic live energy.
A Love Supreme by John Coltrane — Shares deep modal exploration and spiritual intensity, reflecting similar improvisational depth.
Return to Forever by Chick Corea — Combines jazz fusion with vibrant ensemble interplay, parallel to the energetic atmosphere of Davis's work.

Tracklist

Best experienced from track one — press play and let it unfold.

  • 1 So What 9:10
  • 2 Walkin’ 8:08
  • 3 Joshua 9:32
  • 4 Go‐Go (The Theme) + Announcement 1:41
  • 5 Four 6:20
  • 6 Seven Steps to Heaven 7:45
  • 7 There Is No Greater Love 10:02
  • 8 Go‐Go (The Theme) + Announcement 1:21

Reference: Wikipedia · MusicBrainz · Wikidata